其次，规模和可复制性完全不同。Altman 想强调「per query」的效率，但他忽略了：人类智能没法「复制部署」到数据中心里无限扩容。AI 的真正优势恰恰在于「训一次，用一辈子」，而人类是「训一次，用一辈子还得继续喂」。如果真要比「单位智能产出每焦耳能量」，AI 在规模化后确实可能碾压，但用「养孩子总成本」来类比，反而把这个优势给模糊掉了。
HTMLMediaElement.prototype is the browser’s own internal prototype for all and elements and by redefining the property descriptor for src and srcObject on this prototype, I ensured that regardless of where the audio element lives (whether it’s in the main document, inside an iframe’s shadow, or buried inside a web component) the moment any source is assigned to it, the hook fires. The element cannot receive audio without announcing itself.
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从工业时代的规模制胜，到数字时代的创意为王，“手搓经济”的崛起背后是市场创新微观单元的裂变。众多“手搓”开发者如同市场中生长的创新细胞，微小而坚韧。唯有给予微创新更多尊重、保护与支持，让创意自由落地、让创新获得回报，才能使其持久释放红利，激活市场创新的“一池春水”。
Williamson earned his first screenplay credit in 1996 for Scream, swiftly defining a brand of horror where teens weren't stupid victims, but snarky, smart, and still susceptible to homicide. He'd go on to pen Scream 2 and 4. For Scream 7, he teamed up on the screenplay with James Vanderbilt and Guy Busick, who penned 5 and VI. And Williamson also takes the helm of this one. Out the gate, you can feel Williamson's influence in the cracking dialogue between a quarreling couple at a taboo Airbnb.